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So in the end, I decided I just don’t understand it. She greeted the news that she could not see dinosaurs at the zoo with a resigned shrug-parents never do what you want them to do!) (She had been to the zoo several times, and apparently thought the dinosaurs were caged in some section we hadn’t visited yet. When my daughter was two years old, she asked to see the dinosaurs at the zoo. And in any case, the dinosaur toys are all small…įor a while, I thought the interest was something to do with the fact that the dinosaurs had become extinct. But the smaller dinosaurs excite just as much interest.
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But my own daughter showed a marked interest in dinosaurs before she ever went to pre-school, before she was even very verbal.įor a while, I thought it was a function of the great size of these creatures. (I often think the children are only an excuse for adults to go visit the dinosaurs.)įor a while, I thought it was an interest that children passed on to each other, in a proof of juvenile subculture. But in museums, you notice that adults are equally fascinated. For example, they are a source of great fascination in Japan, although no remains have been found there.įor a while, I thought it was primarily a childish interest. For a while I thought it might be a particular fascination in countries where skeletons have been found-a kind of nationalistic interest. But dinosaurs seem to excite the imagination of both adults and children everywhere in the world.ĭuring the last few years, I have entertained many theories about why this is so. Why does it happen? What is going on in that child’s mind, shouting out those complex Latin names? I have thought about it a great deal and I conclude I have no idea why it occurs. To go to a museum and see a young child, barely able to walk and talk, shrieking “stegosaurus” and “tyrannosaurus” as they see the creatures, is a very striking thing. I suspect children have always been fascinated by dinosaurs. Finally I realized that the fascination with dinosaurs was permanent. I first started writing the book in 1981, and I put the project aside because at that time, there seemed to be an enormous mania about dinosaurs in America, and I did not want to book to appear to ride a current fashion. … I would be very surprised if we didn’t have the revival of some extinct animals, possibly within a decade.” It doesn’t require you to travel faster than light. “I think was saying that the story has not theoretical barriers, you know. There’s actually been a fair amount of research that’s been promoted or stimulated by the book.” And theirs was, ‘Why not?’ And the first person, a very famous biotechnologist, read it and put the book down and said, ‘It can be done!’ and got excited. “My ideas in that book was to suggest that we shouldn’t make dinosaurs. “I had some concern that they might dislike it because it was critical of biotechnology, he says. Eager for feedback, he showed them the book. “Crichton likes to tell the story of running into a group of biotechnologist friends in Hawaii after Jurassic Park was published by Knopf in early 1990. In this excerpt, he relates a story about whether or not dinosaurs could really be cloned: Michael Crichton was profiled in a September 1993 issue of Southwest Airlines Spirit magazine by Mark Seal. They said, “I want this to be a story for me.” Meaning for an adult. I wrote another draft, but the result remained the same.įinally one of the readers said that they were irritated with the story because they wanted it to be from an adult point of view, not a kid point of view. Whatever I had done in the latest draft, it hadn’t helped. I got angry reactions such as, “Why would you write a book like this?” But when I asked them to explain exactly why they hated it, they couldn’t put their finger on anything in particular. They were all in agreement: they hated Jurassic Park. Over the years, I’ve come to rely on five or six people who read my drafts generally they have a range of responses. I then sent the book to the usual people who read my first drafts. Finally I decided on a theme park setting, and wrote a novel from the point of view of a young boy who was present when the dinosaurs escaped. I worked on it for several years since, trying to make it more credible. I wrote a screenplay about cloning a pterodactyl from fossil DNA in 1983, but the story wasn’t convincing.